Paard van Troje wordt binnengehaald 1663

Giuseppe Maria Mitelli made this print, Paard van Troje wordt binnengehaald, with etching. Mitelli's choice of etching is key to understanding this image. Unlike engraving, which demands precision, etching allowed for a looser, more expressive line. You can see this in the frenzied energy of the Trojans hauling the horse into their city. The etched lines create a sense of depth and movement, vital for capturing the scene's drama. In 17th-century Europe, printmaking was not just a technique, but a burgeoning industry. It democratized images, making stories like the Trojan Horse accessible to a wider audience. This print, then, is not just an artwork, but a product of its time, reflecting the rise of visual culture and the power of storytelling through mass production. It blurs the line between fine art and commercial craft, reminding us that even classical tales were mediated by the materials and methods of their making.