This drawing, whose author is unknown, is a design for a man's tomb. It's rendered in pen and brown ink, with a brown wash, over black chalk on a paper sheet. The design presents a kneeling figure of a man in armor atop an elaborate structure, complete with cherubic figures. The materiality of the design itself – the ink, the paper, the chalk – speaks to a world of skilled draftsmanship. But let's consider what the finished tomb would have been like. Built of stone, perhaps marble, it would have required quarrying, carving, transport, and assembly; each of these phases demanding intense labor. The tomb wasn’t only a monument to the deceased, but also a testament to wealth, power, and the capacity to command both materials and labor. The amount of work embedded in the design and its possible execution underscores the relationship between artistic vision, the economics of production, and the social status of the person memorialized. It reminds us that even in death, social distinctions are materially constructed and vividly displayed.