Voyage en Suisse by Louis Ghémar

Voyage en Suisse 1868

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Dimensions: height 231 mm, width 158 mm, thickness 23 mm

Copyright: Rijks Museum: Open Domain

Curator: This delightful engraving from 1868 is entitled *Voyage en Suisse*, created by Louis Ghémar. The piece is a print on paper, offering a romantic and caricatured glimpse into Swiss scenery. What’s your initial take on this? Editor: Well, it’s certainly eye-catching! The exaggerated features of the figure contrast sharply with the implied grandeur of the mountain backdrop. It feels almost satirical, mocking the romantic ideal of landscape painting. Curator: I agree. Let’s consider the context of its creation. The late 19th century was a time of great change in photography. It democratized image-making, offering alternatives to traditional artistic practices. Ghémar here critiques and comments on how technological advances impacted art and artists. Editor: You're right. There is also the position of the central figure that looks intentionally uncomfortable and perhaps unstable while straddled atop an unwieldy camera contraption. It is a not-so-subtle jab at photographers asserting artistic expertise. We could even link it to the broader debate around art, class, and leisure. Curator: Absolutely. This resonates even more when you look at the bookplate's dedication. “Impressions d’un Photographe," hinting at themes of labor versus artistry and how new technology might allow those traditionally outside the art world's elite to gain access. Editor: I also appreciate how the scale amplifies this reading, too. Its modest size makes it feel like a cheeky retort, something almost subversive hidden amidst grander landscape paintings of the era. A quietly radical stance. Curator: Precisely. So, this “Voyage en Suisse” encapsulates tensions present at this intersection between romantic ideals and emerging technological advancements through a subtle social critique accessible for wider audiences through the printmaking medium. Editor: And for me, the piece underscores the perpetual negotiations between tradition, technology, art, and identity, even now. It's a humorous yet poignant reflection on those themes.

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