Keno Gambling Game by Sebastian Simonet

Keno Gambling Game c. 1936

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drawing, coloured-pencil

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drawing

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coloured-pencil

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caricature

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coloured pencil

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portrait drawing

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watercolour illustration

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watercolor

Dimensions: overall: 33.3 x 25.3 cm (13 1/8 x 9 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: This is "Keno Gambling Game," created around 1936, a drawing using colored pencil. It depicts what appears to be a keno machine. The symmetry is very pronounced. It feels… static, somehow. What symbols jump out to you in this piece? Curator: Immediately, I see a concentrated image of chance. The globe evokes fortune, fate literally being stirred. It sits supported by strong pillars, like tradition or institution, maybe hinting at the cultural role of gambling. What do the materials—pencil and watercolor—suggest to you? Editor: That it was, maybe, more of a design or an illustration rather than fine art? A proposed object rather than something functional? Curator: Perhaps. Notice the distinct lack of people. The Keno machine sits alone, imbued with almost anthropomorphic qualities. Is this about a game or about isolation? Is it a critique, a celebration, or merely an observation? It almost has an iconic weight. Do you notice any symbols or numbers that are particularly evocative, or meaningful to you personally? Editor: The colors—brown and green—feel very grounded and natural, a stark contrast to the high-stakes activity the machine facilitates. The numerals visible on the balls – are they simply place-fillers, or symbolic placeholders for "everyman" Curator: Excellent observation! They are placeholders of individual fates within a system. It reminds us that chance and systems can intertwine in unexpected ways. Editor: So, it is less about the game itself, more about what it represents – fate, hope, the system... Curator: Precisely. And it provokes the question: What systems define us and shape our 'chances' even today?

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