Untitled 1969

Soledad Sevilla made this untitled piece, likely a painting, using geometric shapes, color, and repetition to create a pattern. The colours really grab your attention, a duo of reds contrasted with a muted gold, creating an image which is both vibrant and measured. Up close, you see that the surfaces have a gentle texture, with variations and imperfections, suggesting an intimate, manual process of creation. The paint isn’t trying to hide itself, it’s right there on the surface. The repeated forms are like signs or symbols, but of what? Maybe the language doesn't matter, but the feeling does. In fact, the overall effect reminds me a bit of the geometric abstraction of artists like Agnes Martin, but with a warmer, more playful sensibility. Ultimately, the painting embraces a certain ambiguity. It invites us to linger, to contemplate, and to find our own meanings within its depths. Like any good work of art, it’s not about providing answers, but about sparking a conversation.