H. Wilhelmus van Aquitanië c. 1586 - 1633

Cornelis Galle I created this engraving of H. Wilhelmus van Aquitanië around the early 17th century. Notice how the artist uses a refined network of lines to build the image. The varying densities of hatching create subtle gradations of light and shadow, giving form to the figure and the surrounding ornamentation. The portrait is set within an oval frame, which itself is part of a larger rectangular composition filled with architectural and decorative elements. This structure reflects a formal approach, typical of the era, that emphasizes order and balance. Yet, within this framework, Galle explores contrasts. The smoothness of Wilhelmus' face is set against the rough texture of his beard. The linear precision of the lettering contrasts the fluid, organic shapes of the cornucopia above. The composition and the use of signs are carefully constructed, with the saint's clasped hands drawing the viewer's gaze to the center of the piece. This engraving doesn't just present an image; it constructs a carefully structured visual argument.