painting, ceramic, porcelain
painting
landscape
ceramic
porcelain
genre-painting
decorative-art
rococo
This ewer, likely made in Delft by Johan van Kerkhoff in the mid-18th century, is earthenware covered with tin glaze and enamel paint. This material combination imitates porcelain, but without the expense, or the high firing temperature. Delftware, as this kind of tin-glazed earthenware is known, was essentially an exercise in deception. The maker has coated the porous clay body with an opaque white glaze, which provided a blank canvas for painting. The purple landscape is derived from fashionable French imagery of the period, but here, the scene has been quickly and efficiently applied using stencils. This object stands as a testament to the Dutch entrepreneurial spirit. It reflects the desire to provide luxury goods to a wide market, using industrialized techniques and relatively inexpensive materials. Appreciating the skill and ingenuity involved challenges any rigid distinction between art and craft.
Comments
Although Delft was the most important centre for the faience industry, other towns and cities also had potteries. In 1759 the wine merchant Johan van Kerckhoff founded a faience factory in Arnhem. It produced imitations of Delftware, but also pieces with contemporary forms, such as this ewer and basin in a restrained Rococo style.
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