Crucifixion 1516

Editor: This is Hans Schäufelein's woodcut, "Crucifixion," from around the early 16th century, printed on paper and currently held at Harvard. I'm struck by the intense emotion in such a small, detailed image. What stands out to you about it? Curator: The power dynamics are very clear in this print. The composition emphasizes the spectacle of public execution. Notice the contrast between the grieving figures and the more indifferent, almost business-like, officials. How does this imagery function within the religious and political context of the Reformation? Editor: I see what you mean. The gold falling to the ground near Judas almost seems staged, like a propaganda play about morality. Curator: Precisely! Schäufelein is using familiar imagery to reinforce social norms and religious authority. The print is not merely a depiction of a biblical event, but a statement about power, belief, and social order. Editor: So it is both religious and political. I hadn't thought about it that way. Thanks! Curator: My pleasure! Understanding art means unpacking these layers of history and intention.