Officer, Municipal Guard, French Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888
drawing, print, pendant
portrait
drawing
impressionism
caricature
caricature
men
genre-painting
history-painting
academic-art
pendant
Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)
Editor: Here we have a print titled "Officer, Municipal Guard, French Army, 1886" from the Military Series, printed in 1888 by Kinney Tobacco Company. He seems a little stiff, caught in a formal pose. What stands out to you in this image? Curator: The image, though small, encapsulates so much about 19th-century French identity. Notice how the officer's uniform is rendered. The colors and ornamentation weren't simply decorative; they broadcast power, status, and a specific history. He’s almost sucking on the toothpick like one would with a cigarette… consider how that connects image with its intended use as advertisement. Does the cigarette offer a similar status as military office? Editor: That's a very interesting point! So the uniform itself functions almost like a symbol? Curator: Exactly! Think about the cultural weight of military service in France at that time, especially after the Franco-Prussian War. The uniform becomes a container for those collective memories and aspirations, and it presents that cultural touchstone in a small handheld form, perfect to stick in your pocket alongside your tobacco. How interesting. Editor: It's fascinating to see how the Kinney Tobacco Company used those loaded symbols to sell cigarettes. Curator: Absolutely. This card presents an officer’s identity, in very codified visual shorthand, to evoke loyalty, pride and authority. By associating their brand with these potent images, Kinney Tobacco attempts to imbue the product with some of the same values and cultural associations, influencing consumer behavior through carefully constructed visual cues. Editor: It changes how I see advertising images today! It's much deeper than I originally thought. Curator: Indeed. Even seemingly simple images can be complex systems of meaning. I’ll certainly think differently about historical cultural associations, from now on.
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