Spring Possibly 1893

Editor: We're looking at "Spring", a print made with ink on paper, possibly from 1893, by Théophile Alexandre Steinlen. It’s currently at the Art Institute of Chicago. It strikes me as a sweet, very ‘day-in-the-park’ kind of scene, but also kind of…contained, almost stage-like. What draws you in when you look at this piece? Curator: You know, stage-like is such an interesting way to put it. The way the figures are arranged almost feels like a tableau vivant, a little scene being presented. The artist plays with a mix of bold outlines and more delicate, almost scribbled details. Think of Parisian parks back then. This work really brings me there, just lingering and people-watching on a spring afternoon. It also makes me think about the new role of public places back then, like a sort of stage, for budding social relations. What do you make of that bright red dress? Editor: Well, it definitely stands out against the green! It feels almost too vibrant for such a casual setting. Curator: Yes, it could signal something deeper than just a sunny afternoon. That bold color amidst the delicate hatching creates a lovely tension. It kind of brings it from a charming little sketch, to an announcement of things to come... do you see that here? Editor: Now that you mention it, I do. There's a definite sense of… anticipation, maybe even a hint of drama, lurking beneath the surface. Curator: Exactly! It's that push and pull between the carefree and the contained. These spring settings – are they totally without artifice? What's really happening there? Editor: This has completely shifted my perspective. I saw it as a simple snapshot, but now it seems like Steinlen is hinting at something far more complex! Thanks so much. Curator: My pleasure! It is always a journey to let go of our first impression and find more layers to cherish!