The Angel of the Annunciation 1498 - 1503

Curator: The Angel of the Annunciation, crafted between 1498 and 1503, attributed to Giovanni di Domenico. Look closely; you'll notice the masterful use of tempera and glass. Editor: Immediately, I'm struck by the powerful narrative told through radiant color, light and how traditional symbolic images all have been thoughtfully put together. Curator: Indeed. The panel is brimming with well-worn symbols! It is interesting that these traditional methods still took place by this point, yet it does seem the medieval period's style is becoming more outdated. It's a transition point. Editor: Look at the detail placed within the panel's details. God is blessing the Virgin Mary with His son in a ray of light from the Heavens, the holy spirit taking flight in the form of a Dove. Notice also that the Archangel Gabriel's staff bares Lilies on it - they stand for innocence and purity here. I find these signs endlessly comforting in how familiar they have become to all those looking. Curator: Absolutely. Also consider the function of this window at the time; beyond didactic purpose, stained glass provided light, yes, but was primarily to color light! These windows transformed spaces within the church into something sublime; truly bridging the earthly and heavenly realms for people living through the Medieval period. They also had strong communal value by acting as key social points for local life, they may be found near busy public centers such as churches. Editor: A window like this offered far more than pretty shapes—the window speaks! And still speaks so profoundly about hope and divine intention centuries later. Curator: In viewing artworks like this, it prompts reflection on art as it continues to operate as a reflection on societal beliefs during a pivotal cultural shift. Editor: Ultimately this timeless iconography can evoke so many memories. It is really lovely to be reacquainted with the scene.