drawing, print, pencil
portrait
drawing
baroque
figuration
pencil
genre-painting
Dimensions 6 5/16 x 8 13/16 in. (16.1 x 22.4 cm)
Curator: Before us, we have David Teniers the Younger's, "A Family Carousing," created sometime between 1620 and 1690. It’s a pencil drawing, categorized as both a portrait and a genre painting, held at The Metropolitan Museum of Art. Editor: Well, the first thing that strikes me is this scene feels… unrestrained. A bit tipsy, perhaps? There’s a sense of communal merriment bordering on something… looser. The lines are lively, chaotic even! Curator: The composition certainly lends itself to that interpretation. Notice the dynamism achieved through the arrangement of figures, almost overflowing the central space. There’s a conscious distortion in the perspective, heightening the sense of activity. The diagonal lines leading up toward the center of the table enhance the sense of swirling festivity, yet there are moments of serene stillness achieved by some characters that creates a dynamic tension in this piece. Editor: Absolutely! It feels as if we've stumbled upon a moment captured mid-celebration. And this playful pup by the seated woman— it brings such life to the whole piece. But look at this sloshing tankard the woman brings over, she may be a harbinger of more boisterous times ahead for this already jolly gathering. Curator: Indeed. Teniers was a master of capturing everyday life. One could analyse the details—the specific costumes, the tableware— as signifiers of the era’s social customs. The scene presents itself as a rather traditional motif in Baroque painting. Editor: I like that! "Signifiers." This dog is a signifier that is hoping for a snack to be dropped, for certain! The etching makes me feel nostalgic, but there is some unspoken element that gives it a contemporary relevance as well. Maybe it's just people drinking around a table! Curator: Such is the nature of genre painting— the everyday imbued with enduring appeal. And Teniers captured it deftly in the very tangible strokes of this study. Editor: Well, I'm glad we stumbled upon this rowdy bunch! Cheers to seeing something familiar in something so historically distant, though I wish I had brought my sketchbook along for this one!
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