Tomb Design with Reclining Figure on Sarcophagus by Anonymous

Tomb Design with Reclining Figure on Sarcophagus 16th century

0:00
0:00

drawing, print, paper, pencil

# 

portrait

# 

drawing

# 

print

# 

mannerism

# 

figuration

# 

paper

# 

11_renaissance

# 

vanitas

# 

pencil drawing

# 

pencil

# 

history-painting

Dimensions sheet: 13 x 9 1/2 in. (33 x 24.2 cm)

Curator: Here we have a drawing from the 16th century, an anonymous design for a tomb, rendered in pencil on paper. It currently resides in the collection of the Metropolitan Museum of Art. Editor: My first impression is of solemn repose. It feels very still, very contemplative. The figure reclined on the sarcophagus almost appears to be sleeping rather than… well, you know. Curator: Indeed. I think the artist is toying with symbols of mortality while simultaneously displaying classical design elements. Look at the cherubic figures below, and how they are interspersed with skull and other objects traditionally associated with 'memento mori' scenes and Vanitas painting.. Editor: Precisely! The skull serves as such a potent reminder. But above, the frame with ‘VIT’ inscribed, waiting for what—the occupant’s name? Achievements? The symbols layered throughout offer quite a rich contemplation on life and death. Curator: Absolutely. Consider also the labor involved. This drawing, created with pencil on paper, might represent the artist’s labor but also considers and refers to the labor needed to build a structure of this ambition. Look at the base figures, their heavy shields suggest a weight they must support. Editor: They feel like echoes from antiquity, holding a weighty past. It gives the whole design a grounding, anchoring the visual and emotional experience. How the materials – stone, presumably, that this rendering alludes to – speak of endurance, of legacy. It’s quite effective. The textures also play a crucial part here. Even with pencil, you get a real sense of density, and solidity, not just of stone, but the weight of history itself. Curator: An enduring history built on human craftsmanship, the artist and the stonemasons labor immortalized through imagery and association. These elements unite here. Editor: Looking at this piece has certainly underscored, for me, how symbols, and what we make, continue to shape and haunt our perceptions of mortality and how cultures memorialize lives.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.