Serving Spoon by Jacob Hurd

Serving Spoon 1730 - 1740

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silver, metal

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silver

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metal

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united-states

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decorative-art

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rococo

Dimensions 2 1/16 x 16 5/16 x 3 in. (5.2 x 41.4 x 7.6 cm); 7 oz. 2 dwt. (220.2 g)

Curator: Looking at this piece, I'm struck by how something so utilitarian can also possess such grace. Editor: Absolutely. At first glance, this silver serving spoon, dating back to 1730-1740, appears almost ceremonial, doesn’t it? A tangible object, yes, but also an emblem of status and a family's inherited legacy. Curator: Exactly! Let's contextualize this a bit. This was crafted by Jacob Hurd, a silversmith working in the American colonies. The Rococo style, still nascent in the colonies at this point, speaks to a specific kind of aspiration—a connection to European ideals of refinement even in a society grappling with issues of enslavement, dispossession and the emergence of an identifiably “American” identity. Editor: Yes, and those aspirations manifest in the ornamentation. Note the elegant, almost understated detailing on the handle. The monogram is really telling, isn't it? We should probably explore how the family it belonged to fits into the class structure of the colonies. It is quite telling, but the symbols really feel anchored in class, family and, to some extent, in tradition. It speaks to cultural continuity through very specific signs. Curator: And think about what it would have *served*, so to speak. Not just food, but ideas about hospitality, social hierarchy, and even the projection of power. Silver wasn't merely functional; it was a performance of wealth and taste. To discuss class in the American colonies at that time, without confronting the brutality that produced this excess would be irresponsible. Editor: Of course, and the glint of the silver itself... that visual signifier remains consistent even as societal interpretations evolve. Silver continues to symbolize wealth, luxury. Even today. Curator: Agreed. Looking at this, it is easy to consider who had access to even simple luxuries, like serving spoons, which informs so many aspects of race and gender. Editor: This makes me appreciate the rich symbolism, it carries stories far beyond its functional purpose, and serves to teach important cultural histories, if only you are equipped with the information and social and cultural context.

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