Portret van Franz Karl Freiherr von Hompesch-Bollheim 1794

Editor: This is Johann Michael Mettenleiter's "Portret van Franz Karl Freiherr von Hompesch-Bollheim," created as an engraving on paper in 1794. It looks like it might be from a book. I’m struck by the contrast between the detailed portrait and the simple inscription. What catches your eye when you look at this? Curator: Immediately, I'm drawn to the interplay of geometric forms. The oval containing the portrait sits atop the rectangular inscription block, all framed by the larger paper rectangle. Do you notice how the stark geometry contrasts with the curvilinear forms of the calligraphy and the textured shading of the face? Editor: Yes, the shading in the portrait is remarkable given it's an engraving. It’s also interesting how the textures and tones define the character of the subject while everything surrounding him is essentially graphic and flat. Curator: Precisely. Consider how Mettenleiter employs the burin to create a range of tonal values. By varying the density and direction of his lines, he articulates the contours of von Hompesch-Bollheim's face and suggests the richness of his attire. Notice, too, the absence of color; the image's meaning is communicated entirely through line and form. Editor: So it's not just about capturing likeness, but about the artist using the elements of engraving to communicate something further? Curator: Indeed. The crispness of the lines, the clear delineation of form, speaks to a Neoclassical sensibility that emphasizes order and clarity. It compels us to contemplate how these formal qualities might reflect or construct notions of power, status, and identity within its historical context. Editor: I’m seeing it now – how the pure geometry and meticulous line work elevate the portrait, suggesting order and importance. Thanks, I definitely appreciate this print more now. Curator: It is in this engagement with form that the print truly reveals itself.