drawing, pencil, charcoal
drawing
charcoal drawing
figuration
pencil drawing
pencil
symbolism
charcoal
history-painting
Dimensions 518 mm (height) x 435 mm (width) (bladmaal), 516 mm (height) x 430 mm (width) (billedmaal)
Curator: Here we have Oluf Hartmann’s compelling charcoal and pencil drawing, “Jacob Wrestling with the Angel,” created between 1905 and 1906. Editor: Immediately, the turbulent composition and chiaroscuro create a sense of unease. The figures are locked in combat, yet also embrace almost tenderly, making it unclear if it is a loving or harmful act. Curator: Hartmann’s piece clearly resonates with the Symbolist movement, drawing on the biblical narrative, it also speaks to broader themes around human struggle and the negotiation of power. The figure of Jacob has been read through a colonial lens for many as it touches the story of resistance, conflict, and survival of identity. Editor: It certainly pulls on the power of symbolism. Angels often appear as messengers, but their visual representations—particularly wings—always fascinated artists and, arguably, all of humanity. Here, the wings suggest protection and menace, a paradox echoed in the ambiguous struggle. There are common elements with Romanticism paintings from Gericault, to Delacroix. Curator: Exactly, it allows one to reflect on societal power structures and individual autonomy through visual rhetoric. The drawing invites us to reflect on historical patterns and contemporary inequalities. Jacob as a patriarchal figure makes this struggle very gendered. What price does he pay, what identity does he surrender to this wrestling of power? Editor: Note the deliberate vagueness, as well. Hartmann's choice of soft charcoal, which provides soft and delicate strokes, offers no resolution and leans heavily into psychological introspection through recognizable, historically-charged, figures. Curator: Ultimately, “Jacob Wrestling with the Angel” resonates because it embodies themes central to much discussion of art and politics: the desire for liberation, and the costs extracted. The lack of a defined victor allows multiple points of connection for any viewer struggling in the negotiation of power. Editor: I concur. This drawing remains haunting, and deeply compelling as its themes extend into the modern world of struggle for power and change.
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