Bridgehampton, New York no number 1955

This sheet of film, Bridgehampton, New York no number, by Robert Frank captures the raw and unfiltered moments, a hallmark of his photographic style. It's like a painter's sketchbook, a place to experiment and record fleeting impressions. Frank's choice of black and white amplifies the contrast, giving everything a stark, immediate feel. The textures in the image – from the grain of the film to the reflections in the glass – are palpable. There's a rhythm here, a dance between light and shadow that draws you in. Look at the sequence of windows, each one offering a slightly different view, yet all connected. It makes me think of how Gerhard Richter layers and repeats images, creating a sense of blurred memory and shifting perspectives. Both artists remind us that seeing is never a fixed, objective experience, but an ongoing process of discovery and interpretation.