Portret van Stephan Piek met een van zijn kinderen tijdens een picknick by Johanna Margaretha Piek

Portret van Stephan Piek met een van zijn kinderen tijdens een picknick 1889 - 1893

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Dimensions height 90 mm, width 119 mm

Curator: What a wonderfully intimate portrait from between 1889 and 1893. This photographic work is titled "Portret van Stephan Piek met een van zijn kinderen tijdens een picknick," capturing Stephan Piek with one of his children. Editor: There’s something incredibly touching about this image. Despite its age and slightly faded tones, I get a strong sense of quiet contentment and warmth. The softness of the scene, combined with the direct gazes, is very compelling. Curator: Let's consider the process itself. The photographer has used the conventions of painting - genre painting that is - and brought that approach into photographic techniques. Looking at this photograph as a material object, we can consider how photographic technology shaped artistic expression and social norms around family representation. Editor: I find the careful posing significant. Notice the child is placed in the center and supported on his father’s lap: it speaks to me of tenderness, and protection but also hints at a social convention; men's care was only seen in a picture, yet here the photographer captures something more than this rigidity in the symbol. It suggests societal expectations of both paternal duty and childhood innocence, themes very prevalent in art of that period. Curator: The production context, and how readily families could access photography – this photograph offered a relatively affordable way to preserve and communicate familial bonds. In addition, Stephan's stylish outfit provides an immediate signal of social standing: one might say the attire becomes part of the storytelling. Editor: Exactly. And beyond his striped clothing, observe the framing, the oval shape recalling older portrait miniatures - adding layers to how family was perceived and then presented in art. A continuous echo of images repeating care and attention. Curator: So it shows a changing landscape of photographic processes which intersects with personal memory. Editor: For me, its emotional resonance stems from something very human – this father-child bond. The symbolic nuances intertwined with our feelings about family connection— it transforms this artifact of labor into something undeniably sentimental, don't you think? Curator: I can see what you mean; the photograph reminds us how objects capture social circumstances with tenderness. Editor: Ultimately, images such as this keep reverberating in our hearts and minds long after we have seen them.

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