Kopf eines alten Mannes im Dreiviertelprofil nach links 

Editor: Here we have Hendrick Goltzius' "Head of an Old Man in Three-Quarter Profile to the Left", rendered in pen and ink. What strikes me is the intricate network of lines—it's almost like a topographical map etched onto his face. What do you make of the formal elements at play? Curator: The density of line is certainly key. Observe how Goltzius modulates line weight and proximity to create volume and texture. The closely hatched lines around the eye sockets and jawline give way to broader, more open marks in areas catching the light. It is a masterclass in the expressive potential of line itself. Editor: I see what you mean. It’s interesting how much detail he achieves with such a limited palette. Is this emphasis on line typical of his drawing style? Curator: Indeed. Goltzius, trained as an engraver, translates the precision and control of that medium to his drawings. His reliance on line dictates form, texture, and even emotion. One could argue that line becomes the primary subject matter, surpassing even the representation of the elderly man himself. Notice how the parallel lines create not just shading but a rhythmic quality. Editor: So the form dictates the content in some ways. This was really helpful. Curator: Precisely. It underscores the inherent capacity of the formal elements to carry meaning, independent of overt symbolism. A fascinating demonstration.