print, photography, gelatin-silver-print
portrait
print photography
photography
historical photography
framed image
group-portraits
gelatin-silver-print
Dimensions height 70 mm, width 39 mm
Curator: Look at this piece, dating from around 1860 to 1890, titled "Portret van een man en twee vrouwen," or "Portrait of a man and two women." Editor: Haunting. Something about the sepia tones, their fixed gazes... It feels like a glimpse into another world. And the composition! Very rigid. Curator: It's a gelatin-silver print, a popular photographic technique of that era, crafted by the Jordan Bro's Ferrotype Rooms. Editor: Jordan Bro's...that speaks to something about the industry itself, these rooms, these portraits almost assembly-lined in their creation. There is this element of social aspiration; imagine the conversations leading up to this. Who gets placed where, according to rank? And how performative is that stern demeanor? Curator: Precisely! The positioning and their clothes tell us something about Victorian values, their ideas about family, wealth and appearances. Note how the women flank the seated man. A fascinating glimpse into gender dynamics in this period. Editor: Also interesting is the visible technology that renders its subjects visible to history, while solidifying class divides. What were these studios really capturing about those with less access to that tech, less time to rehearse that pose, that stern, joyless "perfection?" Curator: True, these portraits served a purpose far beyond mere representation. But the subjects exude their own presence, nonetheless. Do you see the way the woman standing has her hand placed gently on the shoulder of the seated man? Such tenderness gets transmitted through the stiff photographic language. Editor: A tenderness molded and regulated by class structure, but perhaps a defiance in its own right, right? The man appears almost...weary to me, with some untold personal history lingering about his face. Perhaps he knows. Or perhaps it's my contemporary projections that lend him that weight? Curator: It's both, I suspect. These portraits are like frozen moments from another age, they are our mirrors and windows all in one. Editor: Beautifully put. It prompts reflections, definitely.
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