Twee driehoekige reliëfs met takken en een draak, gebeeldhouwd door Jean Herman before 1880

These triangular reliefs were sculpted by Jean Herman, likely from plaster, a material that allows for fine detail and easy reproduction. The crisp edges and smooth surfaces suggest they were cast, a process that would have allowed for multiple copies to be made efficiently. The designs themselves, featuring branches and a dragon, evoke a sense of classical ornamentation. The casting process speaks to a broader context of mass production and the desire to democratize access to decorative elements. These reliefs could have been incorporated into architectural settings, adding a touch of refinement to homes or public spaces. The dragon motif, with its intricate scales and dynamic pose, would have required considerable skill to model, even before casting. Ultimately, these reliefs bridge the gap between artisanal skill and industrial production, reflecting a moment when traditional craft techniques were being adapted to new technologies and social needs.