Saint Tarcisius 1875 - 1885

Editor: This marble sculpture, Saint Tarcisius by Alexandre Falguière, created between 1875 and 1885, presents the figure of a young man in repose. There's such a vulnerability in the piece; the figure's closed eyes and the way he clutches something to his chest gives a real sense of fragility. How do you interpret this work in relation to its time? Curator: It’s vital to consider the historical context of the Third Republic in France when viewing this piece. Falguière and others were working within an established Academic tradition, yet the prevailing culture, impacted by figures like Émile Zola, demanded more realism. So, how does a sculptor navigate those societal pressures while still appealing to established patrons? The Saint Tarcisius offers an interesting case study. Editor: It seems like he's almost testing the boundaries of how 'real' a saint can be, and the implied sensuality... Is that pushing a button? Curator: Exactly. The choice to depict a saint in such a vulnerable state invites a reevaluation of religious ideals, particularly during a period grappling with secularism. We need to ask who commissioned this, who viewed it, and what the intent might have been to see how the artwork circulated and was interpreted in public life. And does it reinforce or challenge the power structures of the time? Editor: That really changes how I see the sculpture. It's not just a pretty image, but a statement. I never would have picked up on the complexities without understanding its societal influences. Thanks for making me look at this differently! Curator: My pleasure. Art rarely exists in a vacuum, and it is our duty to delve into its history so we can truly see.