Box with portrait of a young girl with the initials DE by Pierre-Adolphe Hall

Box with portrait of a young girl with the initials DE 1775 - 1776

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Dimensions Box: 2 3/8 × 1 7/8 in. (6 × 4.8 cm); Miniature (oval): 1 1/4 × 1 in. (3.2 × 2.5 cm)

Editor: We're looking at "Box with portrait of a young girl with the initials DE" by Pierre-Adolphe Hall, dating from 1775-1776. It's tempera on metal and is currently at the Met. It has such an intimate feeling. How do you interpret this kind of miniature portrait within its decorative setting? Curator: I see it as a powerful emblem of Rococo society's complex relationship with childhood and gender. It invites us to consider the sitter’s identity, constrained by her position. Who was this young girl, and what were the expectations placed upon her as a woman in that era? Editor: It seems almost like a jewel or a treasured object. Curator: Exactly. And that positioning is deliberate. This objectification is key. Think about the conventions of portraiture at the time, particularly for women. How did portraiture serve to reinforce existing social hierarchies? Editor: It’s interesting how the portrait miniaturization amplifies the preciousness but also maybe hints at vulnerability? Curator: Precisely. The miniature format, often worn as jewelry or kept close, speaks to intimacy, but also control. How might the act of possessing this small likeness reflect broader power dynamics? Editor: That's really insightful. I hadn’t considered it in terms of power dynamics before. Curator: The "DE" initials also spark curiosity. Do they represent her name, family lineage, or something else entirely? This unknowability only intensifies our interpretation. Editor: So, while the portrait is ostensibly about capturing a likeness, it’s equally about embedding social and political meaning into the everyday object? Curator: Absolutely. Analyzing the miniature through a feminist lens unveils a discourse on representation, gender roles, and the constraints placed upon women's identities. We can understand better how artworks both reflect and perpetuate historical power structures. Editor: That connection of this personal image to larger structural themes of the time makes so much sense. Thanks for the new perspective. Curator: My pleasure! It's through these nuanced readings that we truly bring history to life, even in miniature.

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