Thomas Jefferson (1743-1826) (The Medallion Portrait) 1805

Editor: Here we have Gilbert Stuart’s portrait of Thomas Jefferson. It is a study, it seems, in monochromatic subtlety. What strikes you most about the composition and use of materials? Curator: The stark contrast between the sitter and the background immediately establishes a dynamic tension. Consider how the artist uses light and shadow to sculpt Jefferson's profile, focusing on the line of the nose and jaw. Do you notice how the circular format, almost a classical medallion, affects your perception? Editor: It does lend a timeless quality, doesn’t it? The gray tones create a sense of seriousness. I appreciate the formal analysis; thank you. Curator: My pleasure. Analyzing forms and composition reveals so much.