The Flight into Egypt c. 1630 - 1660

Editor: Here we have Willem Basse’s “The Flight into Egypt,” an engraving that likely dates from the mid-17th century. It has a kind of intimate, domestic feel for a scene of such magnitude; is that something you notice as well, or am I projecting? What else do you see in this print? Curator: Oh, I love that— "domestic magnitude"! Yes, it’s a lovely observation. I’m struck by how Basse managed to inject such humanity into what is, fundamentally, a story of displacement and fear. Look at the way Joseph points—is it with determination, or maybe a hint of weariness? He’s not striding heroically, is he? The image seems very rooted in human terms, wouldn’t you say? A tender little drama played out in nature, just as full of vines as the hills around it! It all contributes to this intimate sense of their escape. Editor: Right, less divine intervention, more ordinary family on the move. I do wonder about Basse's choice to emphasize the landscape so much; it almost overwhelms the figures. Curator: Interesting! Do you think that diminishes or enhances their story? Perhaps the vastness of the landscape underscores the vulnerability of the family and the weight of their responsibility? Or, possibly it’s that feeling, you know, like we're small, and this great tale continues whether we see it or not? Editor: I hadn't considered the vulnerability angle; I was too focused on them being 'lost' in the details, but I understand what you mean. It’s more nuanced. I will look at similar compositions with new eyes now, thank you. Curator: My pleasure. Never underestimate how much story is found when art makes us reconsider.