Berouw van Judas 1629

This engraving, "Remorse of Judas," was made by Christoffel van Sichem II. The visual experience is dominated by the stark contrast of dark lines against a light background, creating a dense network of patterns. These contrasting lines not only define the figures and architectural elements but also evoke a sense of turmoil, which is central to the narrative. Sichem uses a semiotic system of signs to interpret the visual components. Observe how the composition is divided into distinct zones, each representing a different stage of the story. The foreground shows Judas returning the silver, his posture suggesting both guilt and desperation. In the background, the artist illustrates the events leading up to this moment. The artist challenges fixed meanings by representing Judas not merely as a betrayer but as a figure caught in a web of political and religious intrigue. Consider how the artist uses line and form to create a dynamic, unsettling composition, reflecting the broader cultural and philosophical concerns of the time. Ultimately, this reflects a world where morality is complex and multifaceted.