St Jerome Translating the Bible in the Wilderness 1573

Editor: So, this is Cornelis Cort’s engraving from 1573, "St Jerome Translating the Bible in the Wilderness". The detail is really striking, especially with how Jerome is rendered in this rocky, wild setting. It’s interesting to see him, the scholar, so removed from civilization. What strikes you most about this piece? Curator: The historical context shapes my perspective. This image isn’t just a religious scene; it’s a statement. Mannerism, as a style, was popular, and you can clearly see the drama, emotion and the distortion of elements for heightened impact in this scene. But what I find particularly interesting is its commentary on the role of the Church and scholarship within society at the time, don't you think? The piece romanticizes the figure of St. Jerome. But think, is he working for the public here, or working for God? Editor: I hadn’t thought of it that way, focusing on who it might have been produced *for*. I see what you mean - he's deliberately set apart, but still intensely focused on producing a text that had immense public impact. He's solitary, yet his work connects him to a massive community. The wilderness acts as a stage almost. Curator: Exactly. Consider also the lion—a common attribute of St. Jerome. Its inclusion elevates Jerome's personal narrative. Also notice the detail: it draws viewers closer to the image and offers it an aura of exclusivity and wonder. Think of where this engraving would be shown or seen at that time. Who has access to art and how does it reflect broader political powers at play? Editor: That makes me appreciate the engraving even more. The location in the Met invites people of today to consider art's relation to society, culture, religion. Thanks, that was a really helpful perspective. Curator: And you've helped me look at it through a contemporary lens, reminding me that this historical piece continues to spark modern thought.