Vue générale de Damas prise de Lalhieh by Félix Bonfils

Vue générale de Damas prise de Lalhieh 1870s

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albumen-print, photography, albumen-print

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albumen-print

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landscape

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outdoor photograph

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outdoor photography

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photography

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sky photography

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orientalism

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cityscape

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islamic-art

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albumen-print

Dimensions 8 7/8 x 11 1/16 in. (22.54 x 28.1 cm) (image)11 x 14 in. (27.94 x 35.56 cm) (mount)

Captured by Félix Bonfils, this albumen print shows a sweeping view of Damascus. The stark foreground cemetery is a powerful symbol, a memento mori, reminding us of life's fleeting nature amidst the vibrant city. Such cemeteries appear across cultures and times. From the catacombs of ancient Rome to the graveyards in Caspar David Friedrich's paintings, they serve as potent reminders of mortality. This photograph makes me consider how, across civilizations, we grapple with the ephemeral nature of our existence. Consider how the placement of the cemetery just outside the walls blurs the line between the world of the living and the realm of the dead, creating a poignant tension. The photograph resonates with universal anxieties about death and impermanence. This image speaks to the human psyche, reminding us that while civilizations rise and fall, the fundamental questions of life and death remain constant.

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