graphic-art, print, typography, engraving
graphic-art
typography
engraving
Dimensions: height 101 mm, width 176 mm
Copyright: Rijks Museum: Open Domain
Editor: So, this is a printed announcement, "Bekendmaking van het overlijden van Daniël Willink, 1722"—"Announcement of the Death of Daniel Willink, 1722." It’s a rather stark engraving, all text, and I suppose it served a practical function. What more can you see in it? Curator: Beyond its literal message, the typography itself acts as a powerful symbolic language. Consider the font choice and the layout. The larger, bolded surname "WILLINK" commands immediate attention, embedding the family name in collective memory. How might this contrast with the smaller font announcing the location on Keyfersgracht? Editor: I guess that puts emphasis on the family legacy versus just the immediate event of the death. Like, the name is meant to endure beyond that specific date? Curator: Precisely! The announcement “Geen Rouw beklag” – No Mourning Expected – intrigues me further. Do you see the cultural psychology at play here, attempting to control emotional expression even in grief? Perhaps this communicates strength, or social status… a stiff upper lip even in the face of mortality. How might that impact the contemporary viewer? Editor: It definitely reads differently to modern eyes. The “no mourning” part is almost jarring; now, we’re encouraged to express grief, not suppress it. Maybe this was a common practice among a particular social class? Curator: Perhaps. Consider also Amsterdam in 1722 – a global trade hub, influenced by various cultural attitudes toward death. What symbols do we carry around today about mourning? Are they so different? Editor: That makes me wonder about how much these printed announcements were traded. So it really prompts you to consider the psychology of the time. Thank you. Curator: My pleasure. Every object holds layers of cultural meaning, even a seemingly simple announcement.
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