Ce n'est pas encore cette fois-ci... 1851

Editor: Honoré Daumier's lithograph from 1851, "Ce n'est pas encore cette fois-ci…" strikes me as particularly charged, like a pivotal moment just before an explosion. What do you make of this tense scene? Curator: Oh, I love that "explosion" reading. Absolutely! For me, Daumier’s work here is pure theater—political theater. The exaggerated figures, the way he uses light almost as stage lighting… it’s as if he’s saying, "Look! Drama!" Do you pick up on the target of this satire? Editor: I think so. The title above the ministers says "Bank of the Ministers." So, I guess, politicians? And is that individual about to take them on? He looks furious! Curator: Exactly! This lithograph is from a series where Daumier skewers the bourgeoisie and political figures of his time, particularly Louis-Philippe's government. The rage and the “not this time” hints at a build up. What is so incredible is his draftsmanship. I feel that these frenzied lines, almost scribbles, carry a ferocious energy, wouldn’t you agree? Editor: I definitely agree. It's almost violent in its intensity. You know, at first glance, I mostly noticed the funny shapes and grotesque faces, but hearing your interpretation really makes me think about how much this says about power and politics back then...and maybe now. Curator: Isn’t it brilliant? Art that makes you chuckle, then punches you in the gut with its relevance. What’s more to ask? Editor: I think this piece has taught me to look beyond the initial image and really consider the historical and social context to understand the message the artist is trying to convey. Curator: Yes, exactly. Art is always speaking to us, if we lend an ear – or an eye!