De verovering van Naarden en het vertrek van het Franse garnizoen, 1673 1673

Curator: This detailed engraving, titled "De verovering van Naarden en het vertrek van het Franse garnizoen, 1673," immortalizes the capture of Naarden and the subsequent departure of the French garrison. Editor: Woah, intense! It’s got that old-timey chaotic energy, you know? Like a medieval mosh pit frozen in time. It feels overwhelming. Curator: It was produced in 1673 and exemplifies Baroque printmaking, serving both as a historical record and a piece of propaganda. It vividly shows how the Dutch perceived that moment in their history. The composition of the two square areas at the top and all the text at the bottom give an immediate idea of its intended dissemination as popular broadside media of the time. Editor: Propaganda, eh? I can see that. The French scurrying off – it is less heroic victory scene and more "get out of here!" I’m getting second hand embarrassment! I guess it is kind of satisfying in a weird, dark-humor way. What I see feels sort of…deflating? Curator: Absolutely, it is less about the heat of battle and more focused on the aftermath, showcasing the shift in power. Consider the social and political contexts of the Dutch Republic at that time. The image would have affirmed a sense of national pride, as well as reinforce a Protestant, anti-French sentiment. Editor: Anti-French sentiments, a classic! I'm always fascinated how old rivalries stick. The attention to detail in the fleeing troops is interesting – like, someone actually put time into giving each of them a little personality as they exit stage left! And all the meticulous, elaborate type is really… something. You know, this image made me realize that, in a sense, not much has changed – the media outlets have different tools, but they are still broadcasting strong opinions about ongoing issues. Curator: Precisely! By connecting with that history through pieces such as this, we can understand how narratives about identity, power, and nationalism continue to be negotiated. Editor: Exactly. It kind of zooms out on history, doesn't it? Puts it all in perspective.