Gezicht op de Pont Neuf 1631 - 1661

Israel Silvestre made this etching of the Pont Neuf in Paris in the mid-17th century, a time when printmaking was crucial for circulating images of cities and monuments. Consider how the image creates meaning. The Pont Neuf, or "New Bridge," completed in 1607, was celebrated for its modern design. Unlike earlier bridges, it had no houses built on it, allowing for open views and pedestrian traffic. Silvestre emphasizes these features, highlighting the bridge’s role as a public space. Paris, at this time, was the heart of the French monarchy, and the image presents the vision of a well-regulated, modern city under royal control. To understand this artwork better, we could look into the history of urban planning in Paris and the role of royal patronage in shaping the city’s image. We might also research the rise of print culture and its impact on disseminating ideas about urban space. Ultimately, this etching reflects the social and institutional context of 17th-century Paris.