Album of Ten Leaves by Xiang Shengmo

Album of Ten Leaves 1656

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xiangshengmo

minneapolisinstituteofart's Profile Picture

minneapolisinstituteofart

ink, color-on-paper

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water colours

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ink painting

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leaf

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curved letter used

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culinary art

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ink

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fluid art

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color-on-paper

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botanical drawing

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china

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watercolour bleed

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watercolour illustration

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botanical art

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watercolor

Xiang Shengmo’s Album of Ten Leaves, created in 1656, is a delicate ink and color painting on paper depicting a flowering plum branch. The artwork, housed at the Minneapolis Institute of Art, showcases Shengmo’s mastery of the literati style, characterized by its emphasis on elegant simplicity and refined brushwork. The composition, featuring a single branch of plum blossoms against a pale background, emphasizes the beauty and fragility of nature. The inscription, written in Chinese calligraphy, enhances the visual appeal and provides a deeper layer of meaning, reflecting the artist's appreciation for poetry and literature. The work is a testament to Shengmo's refined artistic sensibilities, making it a treasured piece of Chinese art history.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart about 1 year ago

Xiang Shengmo was born into one of the most prestigious families in Jiaxing, a city in northeastern China. When the Manchu invasion reached Jiaxing, in 1645, many of Xiang’s friends and relatives died in a vain attempt to save their city. His homestead was destroyed and his family’s art collections lost. Following this upheaval, Xiang’s painting changed from an amateur, literati pursuit, becoming a source of income. Xiang was at the height of his technical and expressive powers when he created this album, featuring a wide range of flowers including wintersweet, cockscomb, apricot, pear, daylily, and cassia. He worked here in pure color without ink outlines and in shaded brushstrokes, which give the impression of three-dimensional modeling. Leaf 1: Apricot I dare say that in the mountains there is no need for calendars,Watch of the approach of the red apricot, for then it is time to plow;Seeing this glory I cannot help but think of the Tang imperial Jasper Garden,Where graduates who ruled the country were first asked to enter into service.Sold along the streets during the second month of spring,They point out the village entrance at three-forked mountain roads;Where people live in jade towers, will horses neigh'[The point] where the color of grass merges with that of the sky cannot be fixed.During the spring of the year 1656, composed and painted by Xiang Shengmo.  

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