Untitled 

This untitled drawing was made by Craig Mullins, sometime after 1964. It presents an ephemeral human figure against a stark white background, rendered in charcoal. The dark strokes create an interplay of light and shadow, where the figure emerges from a haze of smudged lines. The composition is dynamic, with the figure's pose suggesting movement. Mullins masterfully uses line and shading to evoke depth and volume. The hurried, expressive marks convey a sense of spontaneity, hinting at the artist's process. Look at how these marks don't just describe the figure but seem to construct it, almost as if it's in the process of becoming. The artwork exists in a liminal space between representation and abstraction. The interplay of form and void creates a sense of tension that challenges our perception. This ambiguity invites us to contemplate the nature of existence itself, as it captures not just a form but a fleeting moment.