Henri Matisse made this drawing, Nu II, with charcoal on paper. While seemingly traditional art materials, charcoal is, at its most basic, burnt wood, a common substance transformed through a specific process. Matisse coaxes a range of tonal variations from the charcoal, exploring the transition from light to dark, and creating shading and depth. Look closely, and you will see how the texture of the paper itself influences the appearance of the drawing, adding another layer of complexity. Drawing is an intimate medium, traditionally employed as studies for more monumental works. The immediacy of mark-making allows for the artist's hand to be clearly visible, and for the creation of an authentic connection between the artist, the artwork, and the viewer. The medium allows for reworking and adjustments to be visible. It is important to consider the materials, the making process, and the context in order to fully grasp the meaning of Nu II. Appreciating the labor and choices that went into its making allows for challenging the traditional separation between fine art and craft.
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