The Prebendary c. 16th century

Editor: This is Hans Holbein the Younger’s woodcut, "The Prebendary." There's a real sense of unease looking at this piece, especially at the figure of death lurking so closely. What do you see in this work? Curator: Holbein’s *Dance of Death* series, including this image, is deeply critical of the social hierarchy of the time. The Prebendary, a church official, is confronted by Death, suggesting a leveling of power. What does it say about the church and mortality? Editor: So, it's less about individual morality and more about societal critique? Curator: Precisely! Think about the Reformation context. Holbein uses death not just as a religious symbol, but as a tool to question earthly authority and call for social justice. Editor: That gives me a whole new perspective! Curator: Indeed. This is about power structures and the inescapable reality we all face, irrespective of title or privilege.