Dimensions: support: 876 x 1108 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have "Mr Russell on his Bay Hunter" by James Seymour. The composition feels very formal, almost staged. What do you see in the relationship between the figures? Curator: Observe how Seymour employs a pyramidal structure, anchoring the composition through the deliberate arrangement of horse, rider, and hound. The texture of the coat contrasts with the sheen of the horse. Editor: It’s interesting how the dog mirrors the horse’s movement, creating a dynamic line. Curator: Precisely. Note also how the subdued palette, dominated by earthy tones, serves to unify the diverse elements into a cohesive visual statement. The semiotics of space and status are interesting. Editor: I see what you mean. It all feels very deliberate. Curator: Indeed. Formal analysis reveals a meticulously constructed image, revealing its inherent aesthetic values.
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http://www.tate.org.uk/art/artworks/seymour-mr-russell-on-his-bay-hunter-t02372
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Seymour's subject-matter was limited to hunting or racing scenes and stiffly posed horse-portraits. His masterpiece, 'A Kill at Ashdown Park', is on display in Room 4. This composition, showing the genial Mr Russell in the hunting-field, is typical of the artist's somewhat formalised manner. Although Seymour's lack of academic training is apparent in his simplified draughtsmanship, he has nevertheless produced a skilful and evocative record of the appearance of the animals, and of the costume and saddlery of the period. Seymour came from a wealthy family but his extravagant lifestyle compelled him to work for a living. His natural ability at drawing animals enabled him to find almost continuous employment in painting horses, despite having lost his fortune on them. Gallery label, September 2004
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