The Earl of Darlington Fox-Hunting with the Raby Pack: Drawing Cover by  John Nost Sartorius

The Earl of Darlington Fox-Hunting with the Raby Pack: Drawing Cover 1805

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Dimensions: support: 705 x 908 mm frame: 807 x 1012 x 69 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have John Nost Sartorius's, "The Earl of Darlington Fox-Hunting with the Raby Pack: Drawing Cover." It has a real feeling of countryside aristocracy and movement. What are your thoughts on how this painting really places us in the hunt, so to speak? Curator: It’s a window into a world defined by ritual and class, isn’t it? Sartorius, the sporting art maestro, captures more than just a fox hunt; he paints a portrait of power and tradition. Notice how the red coats pop against the landscape. What does that suggest to you? Editor: I guess it really makes the hunters stand out; they become part of the landscape by standing out from it. Curator: Precisely! It is the elite literally writing themselves into the land, a visual claim of ownership. Think of the dogs, too, a carefully bred instrument of the hunt, mirroring the precision of the social hierarchy itself. Editor: So, more than just a hunting scene, it’s a statement. I never thought of it that way. Curator: Art often whispers louder than it shouts, doesn’t it?

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tate about 10 hours ago

http://www.tate.org.uk/art/artworks/sartorius-the-earl-of-darlington-fox-hunting-with-the-raby-pack-drawing-cover-t02368

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tate about 10 hours ago

This is one of four scenes recording episodes of a foxhunt from the commencement, shown here, to the Death. The 3rd Earl of Darlington (later 1st Duke of Cleveland) figures prominently in each scene; he is portrayed in the centre foreground of this view. The Earl was passionately devoted to hunting: in the season 1804-5, during which this series was painted, he records hunting for ninety-one days in all, killing forty-nine foxes.Sartorius was one of a family of sporting artists, all of whom painted in a similar, somewhat naive style. Despite his relatively unsophisticated technique, Sartorius's meticulous attention to detail appealed to sport-loving patrons like the Earl of Darlington. Gallery label, August 2004