Ontwerp voor illustratie voor In Holland staat een huis: silhouet van de familie en de vrouw die vertrekt by Nelly Bodenheim

Ontwerp voor illustratie voor In Holland staat een huis: silhouet van de familie en de vrouw die vertrekt 1884 - 1917

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drawing, paper, ink, pen

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portrait

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drawing

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imaginative character sketch

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quirky sketch

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narrative-art

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cartoon sketch

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paper

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personal sketchbook

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ink

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idea generation sketch

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ink drawing experimentation

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intimism

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pen-ink sketch

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sketchbook drawing

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pen

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history-painting

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storyboard and sketchbook work

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sketchbook art

Dimensions height 108 mm, width 166 mm

Editor: This intriguing silhouette, "Ontwerp voor illustratie voor In Holland staat een huis: silhouet van de familie en de vrouw die vertrekt," made with pen and ink on paper by Nelly Bodenheim, likely between 1884 and 1917, feels charged with unspoken drama. The starkness of the figures against the pale ground amplifies the scene's tension, don’t you think? What story do you read in this artwork? Curator: It strikes me as a powerful, albeit condensed, commentary on gender roles and societal expectations of the era. The woman, adorned in elaborate attire, stands poised to depart, while the man is seated with what appears to be grief, as a child looks on. It raises questions: what are the circumstances prompting her departure? Is she leaving due to oppressive social structures, or is she seeking agency in a world that restricts her? Notice the symbolic weight of the objects around them, from the wilting plants, alluding to themes of neglect, to her ornate hat that emphasizes class divides and possibly her own agency through appearance. Editor: The social dynamics between these figures feels like a very important piece to dissect! It's a domestic drama reduced to its most essential elements. So what does Nelly Bodenheim, as a female artist, potentially bring to this portrayal of a departing woman? Curator: Precisely! We have to consider the gaze of a female artist depicting a woman's departure. Does it imbue the subject with a sense of self-determination or highlight the sorrow of fractured familial bonds? Bodenheim, working within a patriarchal society, likely experienced limitations and expectations herself, which inevitably shapes her interpretation. I think this could reflect Bodenheim's critique on a very heteronormative and patriarchal society and the roles enforced on women at the time. What are your thoughts? Editor: It feels like we are only scratching the surface. Understanding the context around Bodenheim helps decode what is at play here. It is like we’re uncovering layers of this intricate scene. Curator: Indeed, by analyzing the artist's identity and the historical context, we unveil new layers of meaning within this seemingly simple silhouette, transforming it into a profound social commentary.

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