Karikatuur van een man die op de grondwet naar poppenspel zit te kijken by Felicien Rops

Karikatuur van een man die op de grondwet naar poppenspel zit te kijken 1870

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print, etching, engraving

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comic strip sketch

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print

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etching

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caricature

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old engraving style

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genre-painting

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engraving

Dimensions height 160 mm, width 110 mm

Editor: This is "Caricature of a man watching puppets on the constitution" by Felicien Rops, made around 1870. It's an etching or engraving. It feels like a sharp commentary, but I’m unsure what to make of the imagery... What do you see in this piece? Curator: This print really lays bare the processes of power, doesn't it? Look at the figure squatting on the book labeled “Constitution,” yet distracted by the puppet show— "Chambre des Representants." It suggests a deep skepticism towards the political theater, revealing a perceived gap between constitutional ideals and actual governance. Consider the deliberate juxtaposition of the constitution as mere seating for frivolous entertainment. What does that say about its real value in the depicted social context? Editor: So you're focusing on how the artist uses physical objects to represent abstract concepts, like power and governance? Curator: Exactly. The "Constitution" is objectified, used as a prop, diminished in its significance. Rops’ choice of etching as a medium is also important, think of the meticulous labor involved in creating multiple copies of such a politically charged image. Etchings could circulate widely, becoming a means of propagating dissenting viewpoints to a broad audience. What impact do you think the method of production has on its overall message? Editor: I never thought about how the printmaking process democratized the political message…so, he wasn’t just critiquing the government; he was also leveraging the very means of mass production to spread that critique! Curator: Precisely. It speaks to how artists can engage with social realities, using the tools and technologies available to them to shape public opinion and challenge the status quo. What have you learned analyzing this work? Editor: It’s fascinating to consider not only what the artwork depicts, but how the very materiality and means of its creation amplify its message. It's more than just a picture; it's a product of its time, designed to be consumed and discussed.

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