Ruïnes op de Grote Markt te Brussel, 1695 1695 - 1711

This etching, made by Pieter Schenk in 1695, shows the ruins of the Grand Place in Brussels. It serves as a stark reminder of the Nine Years' War, during which French troops bombarded the city. Schenk’s print offers more than just a depiction of destruction. It acts as a powerful piece of political commentary. In the late 17th century, printmaking was a vital medium for disseminating news and shaping public opinion. The artist uses the visual codes of ruin to evoke a sense of loss and outrage, subtly critiquing the political forces that led to such devastation. The Grand Place was not just a collection of buildings; it was the heart of Brussels, a symbol of civic pride and economic power. By focusing on its ruined state, Schenk draws attention to the vulnerability of such institutions and the human cost of war. Historical archives, city records, and personal accounts can help us understand the full impact of this event on the social fabric of Brussels. Through this print, we reflect on the complex relationship between art, power, and the social conditions that shape our world.