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Editor: So, this is "Brougham Castle" by George Baxter. I'm really drawn to the pastoral scene; it feels so idyllic. What do you see in this piece from a historical perspective? Curator: Well, I see a romanticized vision of the English countryside, carefully constructed for public consumption. Baxter was quite savvy; his prints democratized access to imagery of idealized landscapes and historical landmarks. Editor: Democratized how so? Curator: Prior to Baxter's innovations in printmaking, such images were largely available to wealthier classes. His work made them more accessible. Consider the market and intended audience. What stories was Baxter telling about England? Editor: It seems he was selling a story of peace, prosperity, and connection to the land. I never considered the democratization of art, or its role in shaping national identity. Curator: Precisely! And that's something to keep in mind when viewing art in a public museum.
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