Letter Q c. 16th century

Curator: This intriguing piece, titled "Letter Q", is an anonymous work housed here at the Harvard Art Museums. Editor: It feels so dense, almost claustrophobic, with that tight field of floral motifs woven within the stark black and white. Curator: Indeed. The composition uses positive and negative space masterfully. Notice how the 'Q' itself, rendered in white, simultaneously defines and is defined by the black background. Editor: The central flower, crowned with that spiraled form, really draws the eye. It suggests growth and maybe even some deeper, hidden knowledge. Curator: I see it more as an exercise in form. The repetition of the floral elements creates a compelling rhythm. The artist's control of line and texture is simply impressive. Editor: Perhaps. But I sense more than just skill; there's a touch of mystery, of the symbolic weight once given to illuminated letters. Curator: I appreciate its visual dynamics more now, and the interplay of form. Editor: And I'm left pondering what stories and secrets this 'Q' might want to tell.