Den romerske dværg Francesco Ravai, kaldet Bajocco. Hel figur, trekvart profil mod venstre 1774 - 1776

Jens Juel sketched "The Roman Dwarf Francesco Ravai, called Bajocco" with graphite. In the 18th century, individuals with dwarfism often occupied a precarious position in society. Bajocco, as a "court dwarf," likely served as entertainment, his identity both defined and confined by his physical difference. Juel's sketch invites us to consider the complexities of Bajocco's existence. Is this a sensitive portrayal, granting him a sense of dignity? Or does it perpetuate the objectification inherent in his role? Juel, a leading portraitist, navigates the fine line between observation and representation. The gaze becomes a site of power, reflecting not just Bajocco's likeness, but also the social dynamics that shaped his life. Ultimately, this sketch serves as a poignant reminder of the ways in which society constructs and perceives identity, inviting reflection on our own biases and assumptions.