Gezicht op Kasteel Duurstede te Wijk bij Duurstede 1892

Editor: So, here we have a photograph from 1892 called "Gezicht op Kasteel Duurstede te Wijk bij Duurstede". It is this incredibly atmospheric view of a castle reflected in a pond, almost like a fairy tale. The castle sort of peeks out from behind these trees. What draws you in when you look at it? Curator: Oh, it’s more than a photograph; it is almost a portal to another time, don't you think? That sepia tone...it whispers stories of history. It also suggests that nature has been attempting to slowly reclaim this magnificent castle through those persistent, creeping vines. Doesn't it spark that sort of tension, where one marvels at the architectural strength while feeling the gentleness of nature? Editor: It absolutely does. You mention tension - what about that tension with photography itself, and it’s aim for accurate capturing and… well… this feels more evocative. Curator: Good point. Here photography tries to imitate paintings with a very pictorial composition, don’t you think? So photography in the 19th century was not seen as high art at the time so photographers tried to prove their work worthy through this type of dreamy picture and the aesthetic beauty found in traditional art forms. Editor: So, almost proving its artistic merit through imitation. That’s really interesting to think about! Curator: Precisely! It is funny how each era embraces and redefines what’s considered true artistry. And I am forever chasing definitions of that word, chasing dreams, I suppose. Editor: Exactly. Well, I'll definitely look at nineteenth century photography differently from now on. It’s been really fascinating digging a bit deeper into the story behind this seemingly simple image.