Jonge vrouw, in profiel 1875 - 1934

Curator: Up next we have a pencil drawing entitled "Jonge vrouw, in profiel," or "Young Woman, in Profile," by Isaac Israels, dated sometime between 1875 and 1934. It resides here at the Rijksmuseum. Editor: The first thing that strikes me is how raw and immediate this sketch feels. It’s unfinished, intimate even. There’s a casualness to it that I find quite appealing. Curator: Indeed. Israels’ loose handling of the pencil is quite remarkable. You can almost sense the speed and confidence with which he worked. Think about the paper and the access he had to such high-quality materials; this suggests a certain social standing for the artist. It is a far cry from art made by more accessible materials for everyday people. Editor: Absolutely. And that immediacy translates to an interesting depiction of his subject. Considering its era, do you think this was intended as a preparatory sketch, perhaps for a more formal portrait, or something conceived as an artwork in itself? I mean, think about the historical role of women being portrayed this way... it almost feels daring for its time. Curator: It is hard to tell what Isaac Israel truly sought to explore with the medium of his choice here. It definitely evokes a certain lightness, but I can see what you mean, though; the intimacy could imply a different power dynamic. Editor: Right. Maybe a more nuanced depiction of a sitter than traditionally seen in formally commissioned portraits. One thing's clear; it invites a more contemplative viewing experience. Curator: Definitely a divergence in how it uses artmaking materials to suggest meaning; even if a quick study, the image resonates. Editor: Overall, an artwork that provides a brief moment for pause.