Dimensions: image: 575 x 548 mm frame: 910 x 650 x 33 mm
Copyright: © Sarah Lucas | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Sarah Lucas's photograph, "Human Toilet Revisited," presents the artist herself seated on a toilet. The image certainly provokes an immediate reaction. What are your initial impressions? Editor: The composition is stark, almost confrontational. The muted color palette adds to a feeling of bleakness, and the textures are so immediate. Curator: Lucas often uses her own body to challenge societal norms, particularly around gender and class. This piece echoes themes of domesticity and discomfort, critiquing traditional representations of women in art. Editor: The cigarette seems almost like a punctuation mark, drawing the eye and balancing the asymmetry of the posture. There is also an interesting interplay of lines in the composition, directing the eye towards the artist's face. Curator: Absolutely, the work resonates with a potent vulnerability, almost a defiant self-exposure that forces the viewer to confront uncomfortable truths. Editor: It is the materiality of the work itself that carries such intense visual weight. Curator: A work that lingers with us through its directness. Editor: It is one of those images where the more you look, the more you see.
Comments
http://www.tate.org.uk/art/artworks/lucas-human-toilet-revisited-p78454
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Since the early 1990s Sarah Lucas has challenged sexual stereotypes in a variety of provocative works. In this series of self-portraits she turns against the art-historical tradition of the female seductress or muse, and presents herself in a deliberately androgynous, and occasionally aggressive, series of poses. She adopts masculine gestures and stances, and shows herself in unisex clothing like jeans and T-shirts. These images also raise questions about the role and appearance of the modern artist. In contrast to the cliché of the artist as an anguished male, Lucas shows herself as an ordinary person in emphatically ordinary surroundings. Gallery label, August 2004