Lette rids af fugle by Niels Larsen Stevns

Lette rids af fugle 1896

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drawing, paper, dry-media, pencil, graphite

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drawing

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paper

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dry-media

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coloured pencil

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pencil

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graphite

Dimensions: 101 mm (height) x 168 mm (width) (bladmaal)

Editor: This is "Lette rids af fugle" or "Brief Sketches of Birds" by Niels Larsen Stevns, made in 1896. It’s a drawing using pencil and coloured pencil on paper. The image is subdued and features many quick sketches of bird forms and avian features across the page. What draws your eye to it? Curator: What I see here isn't just a collection of sketches, but a snapshot of the artist's engagement with the natural world, reflecting late 19th-century attitudes toward nature. Stevns was capturing the essence of the birds, trying to grasp their freedom and their being. Thinking about it within the context of the rise of industrialization, and subsequent pollution: might Stevns’ sketches be interpreted as an implicit comment on the era's ecological awareness, or lack thereof? What is your impression? Editor: I see them more as studies, not necessarily with any specific commentary in mind. I hadn’t considered pollution. Just the desire to capture their likeness… to learn more about them. Curator: But isn’t the impulse to observe and record intrinsically tied to a worldview? Consider, for instance, how the scientific study of ornithology emerged and evolved alongside colonial expansion. Each observation, each artistic choice, is inflected by cultural and historical circumstances. Where do you think the bird sits within the cultural context of the time? Editor: I see your point, the very act of selection and portrayal is a statement. I suppose a drawing like this reflects a need for something to exist as "natural" at a time when nature was clearly being threatened. Perhaps these drawings become small acts of preservation, a counterpoint to the industrialized world. Curator: Precisely. And it provokes further questions. Is the rendering of this ‘nature’ inherently problematic? Does attempting to freeze and represent nature always do a disservice? Editor: This has made me think about how every artwork really has a voice – intended or not. I see that these aren't just random sketches, they're connected to the political atmosphere and to the society of the time. Curator: And hopefully encourages all of us to question, probe, and seek more!

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