Lantern of Cupola, St. Peter's, Rome n.d.

Sir Christopher Wren made this drawing, "Lantern of Cupola, St. Peter's, Rome," using pen and brown ink with gray wash on laid paper. It's a meticulous study of architectural form and a great example of the crucial role drawing played in design history. Look closely, and you'll see how the ink meticulously defines the lines and contours, delineating the lantern’s complex structure with incredible precision. The gray wash adds depth and shadow, enhancing our understanding of the form. Wren's technique is methodical. Each stroke reveals his deep understanding of classical architecture and his skill in translating three-dimensional forms onto a two-dimensional surface. The drawing gives insights into the labor and expertise required to design and construct such an elaborate structure, reflecting the socio-economic context of architectural patronage and the division of labor in the building trades. This drawing is more than just a preparatory sketch; it’s a testament to the artistic and intellectual labor involved in architectural design. By appreciating the material and process, we understand the historical dialogue between craft, design, and fine art.