Portret van H. Johannes de la Barriere 1611 - 1647

Editor: This engraving, "Portret van H. Johannes de la Barriere," made sometime between 1611 and 1647 by Michel van Lochom, presents its subject in a surprisingly tranquil manner, despite the formal nature of portraiture. I'm particularly intrigued by the combination of religious iconography, like the halo, with what seems like a rather ordinary depiction. What do you see in this piece that maybe I’m missing? Curator: You know, sometimes these images, especially the older ones, feel like little time capsules, don't they? I’m immediately struck by the contrast, actually. The intense detail of the baroque frame—notice those stylized fish!—versus the almost zen-like simplicity of the figure himself. What I find fascinating is how Lochom uses the linearity of the engraving to convey not just a likeness, but also a certain… spiritual quality. Almost like the cross he holds, which appears… heavy? And you also have this inscription which situates the person and moment, so it's historical AND spiritual. I find myself wondering, does it feel like a portrait or an idol to you? Editor: That's an interesting question. I guess it leans towards a portrait, albeit one imbued with religious significance and some symbolic cues about social standing. And the frame DOES seem incredibly active compared to the central figure, it's like the worldly is always threatening to overcome the spiritual! Curator: Exactly! It’s like Lochom is wrestling with that very tension through his art, through those lines. A true meditation on faith and form, wouldn't you say? Editor: I completely agree! I came into this conversation just seeing a somewhat standard religious portrait, but I'm leaving seeing a nuanced piece that grapples with real philosophical tensions, plus some fish. Thanks for the illuminating perspective.